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・ Zuzana Brzobohatá
・ Zuzana Bydžovská
・ Zuzana Chalupová
・ Zuzana Fialová
・ Zuzana Geislerová
・ Zuzana Hejdová
・ Zuzana Hejnová
・ Zuzana Hlavoňová
・ Zuzana Jandová
・ Zuzana Justman
・ Zuzana Klimešová
・ Zuzana Kocumová
・ Zuzana Kralova
・ Zuzana Kronerová
・ Zuzana Kučová
Zuzana Licko
・ Zuzana Lucanicova
・ Zuzana Malíková
・ Zuzana Martináková
・ Zuzana Moravčíková
・ Zuzana Navarová
・ Zuzana Neckářová
・ Zuzana Ondrouchová
・ Zuzana Ondrášková
・ Zuzana Panikova
・ Zuzana Pincová
・ Zuzana Piussi
・ Zuzana Pramuková
・ Zuzana Rabina Bachorikova
・ Zuzana Roithová


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Zuzana Licko : ウィキペディア英語版
Zuzana Licko

Zuzana Licko ((スロバキア語:Zuzana Ličko); born 1961) is a typeface designer based in the San Francisco Bay Area, who was born in Bratislava, Czechoslovakia. Licko came to the United States when she was a child, along with her family. She studied architecture, photography and computer programming before earning a degree in graphic communications at the University of California at Berkeley.〔Rubenstein, Rhonda. "Zuzana Licko." ''Eye magazine'' No. 43, Vol. 11, Spring 2002 http://www.eyemagazine.com/feature.php?id=62&fid=272〕
Zuzana’s father was a biomathematician and at the University of California, San Francisco. Through his job, she became involved with computers during the summer months, helping him with data processing work.〔VanderLans, Rudy, Zuzana Licko, Mary E. Gray, and Jeffery Keedy. Emigre: Graphic Design into the Digital Realm. London: Booth-Clibborn Editions, 1994.〕
When she started her university education, her goal was to earn a degree in architecture, but she changed to a visual studies major because she believed becoming an architect was too similar to going to business school.〔VanderLans, Rudy, Zuzana Licko, Mary E. Gray, and Jeffery Keedy. Emigre: Graphic Design into the Digital Realm. London: Booth-Clibborn Editions, 1994.〕 While at Berkeley, Zuzana took a calligraphy class, which was her least favorite because she had to write with her right hand even though she was left handed. This experience influenced her when she started working on type design, which was more computer-based.〔VanderLans, Rudy, Zuzana Licko, Mary E. Gray, and Jeffery Keedy. Emigre: Graphic Design into the Digital Realm. London: Booth-Clibborn Editions, 1994.〕
In an interview featured in ''Eye'' (No. 43, Vol. 11, Spring 2002), Licko described her creative relationship with Vanderlans:
==Emigre==
In the mid-1980s, Zuzana Licko and husband Rudy VanderLans founded Emigre, also known as Emigre Graphics. The magazine, ''Emigre'', was created in 1984. This magazine () designed and distributed original fonts under the direction of VanderLans, its editor. Licko was responsible for many successful Emigre fonts.
Licko was initially exposed to Macintosh computers with the first release in 1984.
Apart from adding new typefaces as a form of content, Émigré was also created as a way to share the typefaces with other designers that liked and wanted to use Zuzana’s creations. As technology advanced, Zuzana moved from bitmap fonts to high resolution designs and based the newer designs on t
he ones initially created for dot matrix printers.〔The Font Feed.Stephen Coles, September 29, 2005. http://fontfeed.com/archives/an-interview-with-zuzana-licko/〕
In the mid-1990s, Licko worked on two notable revivals: Mrs Eaves, based on Baskerville, and Filosofia, based on Bodoni. Both are Licko's personal interpretations of their historical models and each features extensive ligatures.
Mrs Eaves was named after John Baskerville's lover; it is a somewhat stylized revival of the Baskerville typeface. Along with ligatures, Licko stylized Baskerville through the use of small caps or "petite caps".〔http://typophile.com/node/12166.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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